Canadian collaborative pianist Erika Switzer made her American debut at the Kennedy Center in 2003. Since that time, she has established herself as the frequent partner of several notable vocalists, including baritone Tyler Duncan, tenor Colin Balzer and soprano Martha Guth.
Ms. Switzer has performed recitals at New York’s Frick Collection, Rockefeller University, Alice Tully Hall, Carnegie Hall (Weill Hall), and for the 5 Boroughs Music Festival. In Europe, she has performed as a guest of Pro Musicis at Paris’ Salle Cortot and for the Poulenc Academy at the
L’Hôtel de ville de Tours. Other European performances include appearances at the Göppingen Meisterkonzerte, the New Discoveries series at the Baden-Baden Festspiele, and the Winners & Masters series in Munich. In her native Canada, she has performed at the Chamber Music Festivals of Montreal, Ottawa and Vancouver, and for presenters including Music on Main, Debut Atlantic, Prairie Debut, Roy Thomson Hall Presents: Canadian Voices, and the André Turp Society.
Ms. Switzer has been recorded by the CBC, Dutch Radio (Radio 4), SWR and the Bayerische Rundfunk in Germany, WQXR New York and WGBH Boston. Together with Martha Guth, Erika is co-creator of ͞Sparks & Wiry Cries: The Art Song Magazine,͟ which can be found at www.sparksandwirycries.com. Her recording of Brahms’ Liebeslieder Waltzes, on the Sparks & Wiry Cries label, is available for purchase on iTunes.
Ms. Switzer is on the music faculty at Bard College and the Bard Conservatory of Music. She is a founding faculty member of the Vancouver International Song Institute and co-director of its Contemporary Performance Studies program.
Erika Switzer won First Prize for best pianist at the Wigmore Hall International Song Competition and the Best Pianist award at the Robert Schumann International Vocal Competition. Following seven years in Germany, Ms. Switzer recently completed her doctorate at the Juilliard School of Music.
“Erika Switzer is one of the best collaborative pianists I have ever heard; her sound is deep, her interpretation intelligent, refined, and captivating.” – Le Monde
“… precise and lucid” – New York Times