Saturday February 9, 2019 | 7:30PM (Pre-concert talk at 6:45PM)
Chan Shun Concert Hall at the Chan Centre for the Performing Arts | Map
Patrick Dunachi, countertenor, Timothy Wayne-Wright, countertenor, Julian Gregory, tenor, Christopher Bruerton, baritone, Christopher Gabbitas, baritone, Jonathan Howard, bass
Acclaimed for their life-affirming virtuosity and irresistible charm, The King’s Singers are in global demand. Their work – synonymous with the best in vocal ensemble performance – appeals to a vast international audience.
Life in Tudor England was turbulent. Rich for its art, thought and science, but plagued by religious and social upheaval in no small part because of the erratic mind of the period’s foremost king, King Henry VIII. Royal Blood investigates his life and his legacy from music of his court in the early sixteenth century then to his daughter Queen Elizabeth I and her love for music, then further into the seventeeth century. By delving into the cultural psyche of that time and exploring music on themes of death, health and love, the King Singers unravel the drama that characterised life at the mercy of some of England’s most intriguing and unpredictable monarchs. Music by King Henry VIII, William Byrd, Thomas Weelkes, Henry Purcell, Benjamin Britten and more…
“The superlative vocal sextet.” The Times (London)
This concert is generously supported by Janette McMillan & Douglas Graves, Birgit Westergaard & Norman Gladstone
THE KING Henry VIII Pastime with good companie
THE PRAYER William Byrd Ne irascaris, Domine – Civitas sancti tui
THE QUEEN William Byrd O Lord, make thy servant Elizabeth, our Queen
THE CELEBRATION Benjamin Britten Choral Dances from Gloriana
THE DEDICATION Thomas Weelkes As Vesta was from Latmos Hill descending
THE HERALD Thomas Tomkins When David heard
THE CORONATION Henry Purcell I was glad
THE LESSON Richard Rodney Bennett The seasons of his mercies
Trad. (arr. Bob Chilcott) Greensleeves
Trad. (arr. Goff Richards) Dance to thy daddy
Trad. (arr. Gordon Langford) The oak and the ash
Trad. (arr. Gordon Langford) Bobby Shafto
A selection of songs – to be announced during the concert – in The King’s Singers’ signature close-harmony style.
The King’s Singers
The King’s Singers were officially born on 1st May 1968, when six recently-graduated choral scholars
from King’s College, Cambridge, gave a concert at the Queen Elizabeth Hall on the Southbank in London.
This group had formed in Cambridge and had been singing together for some years in a range of line-ups
under a different name, but this big London debut was the launchpad for the five-decade-long career of
The King’s Singers we know now. Their vocal make-up was (by chance) two countertenors, a tenor, two
baritones and a bass, and the group has never wavered from this formation since. 2018 marks the 50th
birthday of the group, and to celebrate, The King’s Singers are presenting their anniversary season:
GOLD. Everything in this GOLD season, from triple-album to book and concert tour, celebrates the
amazing musical heritage of The King’s Singers, and also looks at the bright future of vocal music in all its
As former members of King’s College Choir (Cambridge), traditional choral repertoire pulsed through
the veins of these founding King’s Singers, and it has never left the group’s performances. But what really
distinguished The King’s Singers in the early years was their musical versatility. They were a weekly
fixture on prime-time television, celebrating popular music never usually touched by choral ensembles,
and their unique British charm, combined with their musical craft, captured audiences’ hearts the world
over. The group has consistently been welcomed on the world’s great stages throughout its history –
from London’s Royal Albert Hall to the Opera House in Sydney, New York’s Carnegie Hall, Beijing’s
National Centre for the Performing Arts, and Amsterdam’s Concertgebouw – as well as being
ambassadors for musical excellence across the globe. To this day, they still prize the precision of their
craft and musical diversity is among their most cherished trademarks.
The King’s Singers’ have accumulated many glowing reviews from the world’s great musical publications,
two Grammy® Awards, an Emmy® Award, and place in the Gramophone magazine’s inaugural Hall of
Fame: not to mention some of the other fantastic – and wacky – awards bestowed upon them over the
course of their 50-year history. One of the keys to the group’s success has been the slow turnover of its
members. Including the current six singers, there have only been 26 King’s Singers since 1968, which has
allowed the techniques that guide every aspect of the group’s music-making to be inherited and refined
without getting lost through a rapid change of line-up.
The group’s ongoing commitment to enriching the world of music has led to numerous wonderful
collaborations with all of kinds of extraordinary musicians. In their their early years, the group’s sound
was informed by the work of arrangers like Gordon Langford, Daryl Runswick and Goff Richards, many
of whom had worked extensively with brass bands. Writing for voices with this specific experience helped
to develop the blended ‘close-harmony’ sound that has become a hallmark for so many King’s Singers
performances and recordings since. In more recent times, individual King’s Singers such as Philip Lawson
and Bob Chilcott have written music prolifically from within the group. This music sits alongside a
panoply of commissioned works by many of the supreme composers of our times – including Sir John
Tavener, György Ligeti, Toru Takemitsu, John Rutter, Luciano Berio, Nico Muhly and Eric Whitacre.
The group’s mission has always been to expand its repertoire not just for itself, but for ensembles and
choirs of all kinds around the world, with much of their commissioned repertoire and arrangements in
print through the publisher Hal Leonard. In fact, over two million items from their King’s Singers
collection have been shared with their customers worldwide.
This ongoing commitment to spreading great music incorporates a lot of teaching, both on tour and at
home. The group has always led workshops across the world as they travel, and week-long residential
courses now also take an important place in the annual calendar, when the six King’s Singers work with
groups and individuals on the techniques of ensemble singing that have governed how they make music
to this day.
The world may have changed a lot in the fifty years since the original King’s Singers came together, but
today’s group is still charged by the same lifeblood – one that wants to radiate the joy that singing brings
us every day, and that is as determined as ever to give joy to audiences with virtuosity and vision for an
exciting musical future.