Bach for Two Flutes
The sweet, matched voices of a pair of Baroque flutes will beguile your ears as two leading West Coast Baroque flutists come together to present chamber music by Bach and his sons.
The sweet, matched voices of a pair of Baroque flutes will beguile your ears as two leading West Coast Baroque flutists come together to present chamber music by Bach and his sons.
A century before Bach, music in northern Germany came under the influence of a new and powerful musical language in the Italian madrigal. Johann Schein, who held J.S. Bach’s position at the Thomas Kirche in Leipzig exactly 100 years before him, successfully adapted and converted this new form to fit the German language.
Though Bach was a profound composer he also had a serious sense of play with music, occasionally using the initials of his own name as a fugue subject. This sense of play inspires this program of solo violin music from the first part of the 18th century, with each initial of Bach’s name represented by a sonata, fantasia or partita.
For this program, two of Europe’s most accomplished young Baroque vocalists, Terry Wey and Jenny Hogstrom, perform virtuosic cantatas and fiery love duets by Handel from his early Italian period as well as a duet by one of his mentors, Agostino Stefani.
Pianist Byron Shenkman and cellist Michael Unterman present a recital based on composers from the Mendelssohn circle in Leipzig, each of whom was born Jewish but converted to Christianity to conform to societal norms.
This recital offers two of Bach’s most iconic works for keyboard, the “French Overture” and the “Italian Concerto,” played by internationally acclaimed harpsichordist Alexander Weimann. Swiss baritone Stephan MacLeod joins Mr. Weimann for two virtuosic cantatas in the Italian style.
This programme focuses on some very rarely performed works from Mühlhausen. Music by Samuel Scheidt (1587-1654), Heinrich Schütz (1585-1672), Johann Rudolph Ahle (1625-1673), Hans Leo Hassler (1564-1612), Johann Christoph Bach (1642-1703) and Johann Michael Bach (1648-1694).
Acclaimed European ensemble Cinquecento focuses on the emotionally charged and harmonically rich Latin Church music of William Byrd, his teacher Thomas Tallis, and Christopher Tye during the height of the English Reformation – a time of conflict and religious upheaval.
Schumann’s beloved song cycle of love and loss is paired here with the four songs Brahms wrote for Clara Schumann in anticipation of her death and on texts from Luther’s translation of the Bible.
Matt Haimovitz’s continuously-evolving and intense engagement with the Bach Cello Suites reaches a new zenith with Overtures to Bach, new commissions that anticipate, reflect and transform each of the Cello Suites.
Canada’s very own superstar soprano, Karina Gauvin, has impressed audiences and critics the world over with her luscious timbre, profound musicality and wide vocal range. The Globe and Mail calls her “one of the dream sopranos of our time.” A regular collaborator with conductors as diverse as Dutoit, Nagano, Nezet Seguin, Bichkov, Norrington, Hogwood, Rilling, Labadie, Rousset, Curtis, and Haim, Karina is one of the most respected sopranos of her generation and a national treasure.
The Choir of King’s College, Cambridge is undoubtedly one of the world’s best known choral groups; every Christmas Eve, millions of people worldwide tune into A Festival of Nine Lessons and Carols, a service that has been broadcast by the BBC since 1928.

1254 W 7TH AVE
VANCOUVER, BC, V6H 1B6
(604) 732-1610
staff@earlymusic.bc.ca
Please Note:
The main applicant and creative/intellectual driver of the project must be 30 or under (on May 15th).
The average age of all musicians must not be older than 32, and the maximum age of supporting musicians must be no more than 35 (on May 15th.)