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Home  >  Artist Interviews

Artist Interviews

Welcome to Early Music Vancouver’s interview series with this concert season’s artists, collaborators and friends of EMV.

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Interview with Tafelmusik Artistic Co-Director Cristina Zacharias hosted by Suzie LeBlanc, C.M.

In this interview with Tafelmusik’s Artistic Co-Director Cristina Zacharias we delve into the differences between modern and baroque violins, Zacharias’s journey with Tafelmusik, and what it’s like to co-direct the orchestra alongside two fellow musicians.


Interview with Soprano Amanda Forsythe hosted by Nicholas Burns

In this exclusive interview, host and countertenor Nicholas Burns sits down with renowned soprano Amanda Forsythe to discuss her upcoming concert programme, featuring Handel arias originally composed for Elisabeth Duparc (“La Francesina”), alongside Patrick Carrabré’s “The Mother Tree”, inspired by Suzanne Simard’s groundbreaking book “Finding the Mother Tree”. Forsythe also shares insights into her vocal technique, career journey, rehearsal process, and more.


Interview with Vancouver’s own Gallo Chamber Players hosted by Julia Halbert

As we prepare for our 55th anniversary summer festival, we invite you to get to know our 2025 Next Generation Artists, the Gallo Chamber Players from Vancouver. As a vital part of EMV’s future, these musicians share insights into their upcoming festival concert, “Bach and the Heavens”, as well as their soon-to-be-recorded album. They also reflect on how they got their start through EMV and UBC’s Baroque Orchestra Mentorship Programme (BOMP).


Get to know our 2025 Artist-in-Residence Magali Simard-Galdès in this interview hosted by Suzie LeBlanc, C.M.

Early Music Vancouver wishes to thank Les Ondes (www.lesondes.ca) for generously sharing the video of their performance featuring Magali Simard-Galdès (soprano), Julie Rivest (violin), Elinor Frey (cello), and Mélisande McNabney (harpsichord).


Meet the winners of our Annual Emerging Artist Competition – Agata Sorotokin & Antonio Pellegrino

Learn more about Agata Sorotokin and Antonio Pellegrino of A.S.A.P. Duo, the first-place winners of EMV’s 2025 Emerging Artist Competition. In this interview, they discuss their project, their journeys as artists, and much more.


55th Anniversary Special with Jose Verstappen hosted by Suzie LeBlanc & Alexander Weimann 

In celebration of Early Music Vancouver’s 55th anniversary, EMV’s Artistic and Executive Director Suzie LeBlanc and Pacific Baroque Orchestra Music Director Alexander Weimann sat down with longtime EMV Artistic Director José Verstappen to reflect on his remarkable and impactful 35-year tenure at the helm of the organization, sharing both EMV’s history and his own career journey.


All About 17th-Century Music & the Baroque Violin with Robert Mealy

In this interview with baroque violinist and musical director Robert Mealy, learn about music of the 17th-century, Robert’s journey with the baroque violin and the origins of Quicksilver Baroque Ensemble.

Listen to the full interview hosted by Christina Hutten on Spotify or Apple Music.


VOCES8 – Behind the Global Phenomenon with Barnaby Smith

How does VOCES8 achieve their perfect vocal blend? What is their process for recording music? And how and why does the vocal ensemble tour with five different concert programs at once? Barnaby Smith, countertenor and Artistic Director of VOCES8, answers these questions and more in this exclusive interview.

Listen to the full interview hosted by Nicholas Burns on Spotify or Apple Music.


Benjamin Bagby: from Beowulf to Gregorius

In this interview, Benjamin Bagby sits down with EMV to share the story of Gregorius, a tale of sin and redemption. In addition to his brilliant storytelling, Ben reflects on his own life and work as an artist, while also reminiscing about his time teaching at Early Music Vancouver.

Listen to the full interview hosted by Suzie LeBlanc, C.M. on Spotify or Apple Podcasts. This episode of Notations was produced by Suzie LeBlanc, C.M.


What is a Countertenor? with Iestyn Davies

In this interview, Iestyn Davies discusses a range of topics from what a countertenor is to why we are drawn to melancholic music and details about his upcoming concert with Fretwork Viol Consort on November 26 at Christ Church Cathedral.

Iestyn’s article in The Guardian https://www.theguardian.com/music/202…

Listen to the audio version of this interview on our podcast, Notations.


Music From Dante’s Divine Comedy with Michele Pasotti

Seven hundred years ago the great poet Dante Alighieri died. In the same precise years Ars Nova was born. Dante probably did not see Ars Nova music on paper, but he certainly listened to the polyphony of his time which was finding a new way to be written. In those years Philippe de Vitry and Johannes de Muris published their treatises on musical writing, which they call Ars Nova, a new way of writing music that will pave the way for a century of great musical creativity. Michele Pasotti and Suzie LeBlanc discuss all of this and more in this episode.

Listen to the audio version of this interview on our podcast, Notations.


Bach’s Goldberg Variations with Alexander Weimann

Alexander Weimann explores J.S. Bach’s Goldberg Variations and discusses his new arrangement of this iconic work for baroque chamber orchestra.


Episode #26 Intimate Conversations with Emerging Artist Competition winner Eliot Dios

In this unique episode of Intimate Conversations, learn about emerging artist competition winner Eliot Dios and his winning project The Rite of Spring: Baroque Edition. In this episode Eliot shares how he and his ensemble Concerto Intempestivo chose to create a project based on Igor Stravinsky’s ballet. He also shares what the competition winnings will do for the future of the project.

This initiative is generously sponsored by Joanie and Samantha Anderson.

Learn more about Eliot and his ensemble here:

   / @eliotdios312  

  / il.concerto.intempestivo  


Episode #25 Intimate Conversations with Next Generation Artists Adrienne Hyde and Hans Grunwald hosted by Julia Halbert

Who are the artists leading the way in the next generation of early music? EMV’s 2024 Next Generation Artists Adrienne Hyde and Hans Grunwald are a great example of who they might be. Watch this interview to learn all about them and their concerts in the 2024 Summer Festival. Purchase tickets to their concerts https://www.earlymusic.bc.ca/tickets/2024-summer-festival-bach-untamed/

Enjoy more music from Adrienne and Hans:

Hans Grunwald – Dichterliebe songs 1 and 2 by Robert Schumann

Adrienne Hyde – Bach 4th Cello Suite, 2nd Bourée arr. for Viola da Gamba


Episode #24 Intimate Conversations – Monteverdi’s Vespers of 1610 Roundtable hosted by Suzie LeBlanc

Have you ever wondered about the history of Claudio Monteverdi’s Vespers? In this episode of Intimate Conversations, Suzie LeBlanc hosts an early music roundtable with three experts on this famous work, tenor Charles Daniels, cornettist Bruce Dickey and keyboardist and music director Alexander Weimann all of whom will perform in EMV’s production of this masterpiece on Thursday, August 1, 2024 at 7:30 p.m. at the Chan Centre for the Performing Arts. Purchase your tickets at https://www.earlymusic.bc.ca/events/monteverdis-vespers-of-1610/

Enjoy more music from Alexander, Bruce and Charles:

Alexander Weimann performs Brandenburg Concerto No. 5 cadenza

Bach – Dir, dir Jehova, will ich singen BWV 299 – Daniels | Netherlands Bach Society

Palestrina – Nigra sum (divisions by Bruce Dickey)


Episode #23 Intimate Conversations with 2024 Artist-in-Residence Alon Sariel hosted by Suzie LeBlanc

Learn all about EMV’s 2024 Artist-in-Residence multi-instrumentalist Alon Sariel. In this interview Suzie and Alon discuss where his love of music began, his philanthropic work, and his concerts and course in EMV’s upcoming Summer Festival, “Bach Untamed”. Purchase tickets to the summer festival https://www.earlymusic.bc.ca/events/ Support his latest initiative, Vienna Mandolin Stories/ alonsariel

EMV’s 2024 Artist-in-Residence, Alon Sariel is generously sponsored by Birgit Westergaard and Norman Gladstone.

More music from Alon:

Mandolin Mondays Featuring Alon Sariel /// Excerpt from “Asturias”

Mandolin Partita – Courante

Plucked Bach II – Toccata

Gigue (from Mandolin Partita no. 1)


Episode #22 Intimate Conversations with Isaiah Bell, Benjamin Butterfield and Timothy Carter hosted by Julia Halbert

What do these three Canadian tenors have in common? In their own words, its a “certain sensibility”. What might that sensibility be? It seems to be, weaving beautiful early and original works together to create a concert filled with laughs, heart and a few eyebrow raising moments.


Episode #21 Intimate Conversations with Peter Phillips hosted by Suzie LeBlanc

In this episode of Intimate Conversations, host Suzie LeBlanc sits down with acclaimed director of The Tallis Scholars, Peter Phillips to discuss his choir’s upcoming concert with EMV, the origins of the group, their newly composed works and more.


Episode #20 Intimate Conversations with Matthias Maute hosted by Suzie LeBlanc

In this episode of Intimate Conversations Suzie LeBlanc sits down with the conductor of Ensemble Caprice and Ensemble ArtChoral, Matthias Maute in advance of his upcoming concert, Handel: Hallelujah & Trumpets! on March 24. In their interview, Suzie and Matthias discuss his work as a composer, works by Handel and how he engages audiences in his concerts.


Episode #19 Intimate Conversations with Justin Taylor of Le Consort hosted by Sylvia L’Ecuyer

Regular host of Intimate Conversations, Sylvia L’Ecuyer sits down with French harpsichordist Justin Taylor of acclaimed ensemble Le Consort to discuss the music of composers such as Antonio Vivaldi and J.S. Bach which he will perform with his ensemble on March 2, 2024 in their concert, Treasures of the Baroque at Christ Church Cathedral. Along with brilliant composers, Sylvia and Justin touch on the history of his ensemble and Justin’s journey as a musician.


Episode #18 Intimate Conversations with Myriam Leblanc hosted by Sylvia L’Ecuyer

In this episode of Intimate Conversations, beloved host Sylvia L’Ecuyer sits down with soprano Myriam Leblanc to discuss her journey as an artist, her Ensemble Mirabilia and their upcoming concert, “L’Eterno Ritorno” featuring works by Monteverdi, Vivaldi, Caldara and more.


Episode #17 Intimate Conversations with Reginald Mobley & Alexander Weimann hosted by Bill Richardson

In this episode of Intimate Conversations, Bill Richardson sits down with counter tenor Reginald Mobley and the Pacific Baroque Orchestra’s music director Alexander Weimann to discuss EMV’s upcoming Lumen Festival running from January 12-14. Alexander Weimann also shares the excitement of his upcoming solo organ album, A Prayer for Peace.


Episode #16 Intimate Conversations with Jonathon Adams, Kari Turunen & Alexander Weimann hosted by Suzie LeBlanc, C.M.

In this episode of Intimate Conversations, Suzie LeBlanc chats with Baritone Jonathon Adams, Conductor Alexander Weimann, and Artistic Director of the Vancouver Chamber Choir Kari Turunen all about their upcoming production of Handel’s Messiah a collaboration with the Vancouver Chamber Choir. Each artist shares what their relationship with The Messiah has been like and you’ll even learn the true history of the famous piece.


Episode #15 Intimate Conversations with Vincent Dumestre hosted by Sylvia L’Ecuyer

Meet Vincent Dumestre, Director of Le Poème Harmonique, the stars of EMV’s next concert. In this interview, Sylvia and Vincent discuss the music of the Louvre and of Italian composers such as Francesco Cavalli who you will hear live in concert on October 20!


Episode #14 Intimate Conversations with Mélisande McNabney hosted by Sylvia L’Ecuyer

Meet our first solo keyboardist of the 2023/24 Season, Mélisande McNabney in her interview hosted by Sylvia L’Ecuyer. From piano inaugurations to tales of her musical family, Mélisande is sure to get you excited about her upcoming concert, Silver Apples of the Moon, a collaboration with The Chopin Society.


Episode #13 Intimate Conversations with Emerging Artist Competition Winner Emily Saville

Meet the winner of EMV’s first annual Emerging Artist Competition. Through her conversation with host Julia Halbert, Emily digs into her passion for music and voice and how the two can work in tandem.


Episode #12 Intimate Conversations with EMV’s 2023 Artist-in-Residence Catalina Vicens

In this episode of Intimate Conversations, EMV 2023 Artist-in-Residence Catalina Vicens chats with Suzie LeBlanc and Julia Halbert about her start in early music and how the works of Christine de Pizan and Martin le Franc have inspired her throughout her career. The conversation goes on to discuss the three concerts she is involved in at our Summer Festival – Our City of Ladies (with her ensemble Servir Antico), The Queen of Carthage (she is musical director) and her solo recital Songs Without Words plus her role as curator of the Tagliavini Collection and her excitement in coming to Vancouver for the first time.


Episode #11 Intimate Conversations with EMV’s Next Generation Artists Ai Horton, Elana Cooper and Jessica Korotkin

Meet EMV’s 2023 Next Generation Artists, soprano Ai Horton, violinist Elana Cooper and cellist Jessica Korotkin! In this interview, host Julia Halbert gets to know the Next Gen artists and learns about what they hope to bring to this year’s summer festival. From Bach Parodies to tales of their college experiences, you’ll surely get to know these three women before seeing them live in concert.

Music: Minuets 1 & 2 “Bach Parody Suite in F Major” by Jessica Korotkin


Episode #10 Intimate Conversations with Florence Bolton and Sébastien Marq

In this episode of Intimate Conversations, Florence Bolton and Sébastien Marq of La Rêveuse share how they incorporate bird sounds into their programme. They also teach us about how birds have influenced musicians when making music throughout history.


Episode #9 Bruce Dickey and Hana Blazikova hosted by Sylvia L’Ecuyer

In this episode of Intimate Conversations, guests Bruce Dickey and Hana Blazikova discuss how and why the cornetto and voice work so beautifully together and why they try to imitate each other. In addition, host Sylvia L’Ecuyer digs in to find out where the manuscripts for the On The Breath of Angels album were originally found.


Episode #8: The Consone Quartet hosted by Sylvia L’Ecuyer

In this episode of Intimate Conversations, host Sylvia L’Ecuyer sits down with three members of the Consone Quartet to discuss their journey as a group, the life and work of composer Fanny Mendelssohn and their upcoming concert Consone Quartet: BBC New Generation Artists.


Episode #7: Alexander Weimann and Reginald Mobley hosted by Bill Richardson

Writer and broadcaster Bill Richardson sat down with Countertenor Reginald Mobley and Alexander Weimann, director of the Pacific Baroque Orchestra, for an Intimate Conversation about music, what it means to “raise your voice,” their many years of friendship and the upcoming concert Raise, Raise the Voice.


Episode #6: Alexander Weimann and Matthew Jennejohn hosted by Bill Richardson

In this episode, author and broadcaster Bill Richardson chats with Pacific Baroque Orchestra’s music director Alexander Weimann and Matthew Jennejohn – oboe d’amore soloist and instrument maker. This information-packed conversation ranges from what Christmas was like for Bach, the contagious laughter in Cantata BWV 110, the joy of the Magnificat, Bach’s love of the oboe to the types of wood used in oboe construction and different ways to playing the cornetto and lots of other interesting insights into the music.


Episode #5: Thomas Dunford hosted by Sylvia L’Ecuyer

Thomas Dunford first picked up the lute at age nine, and it was love at first pluck. He talks about his passion for the instrument in this Intimate Conversation with musicologist Sylvia L’ Ecuyer. M. Dunford explains how the lute first developed from the Middle Eastern oud and how it has continued to evolve into the archlute he plays today. Other points of discussion include the challenges of adapting Bach’s music for the lute, modern music being currently written for this ancient instrument, his group Jupiter and his packed concert/travel schedule. Listen in and then join EMV for what is sure to be an extraordinary live concert on November 25. Buy tickets here.


Episode #4 (French version): Nicolas Sansarlat hosted by Sylvia L’Ecuyer

Écoutez cet entretien entre Sylvia Lecruyer, journaliste musicale et ancienne animatrice à Radio-Canada, et Raphael Boulay, ténor, au sujet de la recherche musicale approfondie de l’ensemble Diabolus in Musica. Quel type de musique jouait-on en France au Moyen Âge? Quelles étaient les divers sujets exprimés dans cette musique et que signifie le nom de l’ensemble?


Episode #3: Raphaël Boulay hosted by Sylvia L’Ecuyer

Music journalist and former Radio-Canada host Sylvia L’Ecuyer sits down (virtually) with Diabolus in Musica’s Raphaël Boulay for a fascinating and wide-ranging conversation. They discuss the ensemble’s extensive musical research, what type of music was being written and played (and by who) in France in the Middle Ages, the various forms of love expressed in Medieval music and the meaning behind the group’s name. Draw up a chair and listen in. Purchase tickets to the concert on Oct 28 at 7:30 p.m here.


Episode #2: Rona Nadler of Infusion Baroque and Mike Fan hosted by Bill Richardson

Join broadcaster and author Bill Richardson in an ‘Intimate Conversation’ with actor/tenor Mike Fan and Infusion Baroque’s Rona Nadler as this discuss the scandal and theories that accompanied the unsolved murder of French composer Jean-Marie Leclair in 1764 including shady characters hanging about Leclair’s Marais home. Mr. Fan plays four characters – three of them suspects in the case including Leclair’s gardener and neighbour, Leclair’s widow, and Leclair’s nephew, who was an up-and-coming violinist. The fourth character is the police Inspector assigned to the case. The audience follows along as the musicians try to get on with their concert while the Inspector tries to solve a murder. Leclair’s music, weaves it way through the proceeding. Listen in to learn more about Leclair, his music, and his murder. Purchase a ticket here.


Episode #1: Kyriakos Kalaitzidis hosted by Aram Bajakian

Welcome to episode #1 of Intimate Conversations. In this episode, PhD student, guitarist and oudist Aram Bajakian chats with Kyriakos Kalaitzidis, oud player and music director of En Chordais. En Chordais is an early music ensemble based in Thessaloniki Greece and they will be performing alongside Constantinople in our Passport Series concert Treasures From Byzantine Manuscripts on September 23 and 24 in Victoria and Vancouver. Learn about the origins and history of these Byzantine manuscripts in this intimate conversation.

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Een Romantische Johannes Passion

Historical Performance has been steadily looking toward the nineteenth-century as a source of inspiration, and Orchestra Lagrandt wants to lead the charge into Romantic orchestral performance practice. As an orchestra of ambitious musicians in their twenties from 25 different nations, we aspire to represent the voice of the new generation in Historical Performance.

Een Romantische Johannes Passion is an ongoing project to reimagine the Johannes Passion of J. S. Bach in a late nineteenth century style. The first Passion revivals in the Netherlands took place in Rotterdam in 1870, featuring large symphonic orchestrations, and a radically different musical language than that of the HP and modern classical worlds. In our initial performance with the Tangram Chamber Choir, we pushed the boundaries of what Romantic Bach might have sounded like: exploring changes in orchestration, stoic tempi, rubato, phrasing, nineteenth- century bowing practices, and even portamento. We plan to establish this project as an annual tradition every Easter season, reworking the arrangement each time in the spirit of Romantic spontaneity.


One of the wonderful things about the Historical Performance movement is that we are able to use forgotten practices, this time hailing from the nineteenth century, to present such a beloved and well known-work in a new light.

The world is familiar with stories of clever forgers whose life’s mission is to cunningly reproduce the light and shadows of historical masterworks, from Vermeer’s brushstrokes to Da Vinci’s proportional precision… but what if these crimes of craftsmanship were to extend beyond the visual arts? What if the pieces we know to be by Palestrina, Monteverdi or even Johann Sebastian Bach were in fact stylistic copies, artfully composed by a secret circle of music forgers and passed off as the work of the greats? What if those music forgers are at work as we speak? 

This premise inspires our original program The Music Forgery Workshop. Our early music comedy imagines the lives of such a circle of musical criminals, offering a fresh and lively presentation of historical compositions, not as museum artifacts but as living works in progress. The workshop itself is set up on the stage and its members carry forth the plot in music and words. A narrator in the role of a suspicious inspector lends the performance a theatrical flow. The listener is invited into a satire on high society’s art commerce, while the performers make fun of themselves for having devoted their lives to the niche subject of historical music performance. 

Violinist Elizabeth Sommers combines her skills and experience in traditional music with expertise in the performance and improvisation of medieval and Renaissance repertoires. Multi-instrumentalist Eliot X. Dios (keyboards, bagpipes and flutes) works wholeheartedly to employ storytelling techniques developed through the history of literature and cinema in his early music concerts. Composer Gunnar Haraldsson (violin, guitar) seeks to translate the forms and intentions of early composition for a modern audience. Halldór B. Arnarson (keyboards, voice) has devoted his career to bringing musical craftsmanship from the era of counterpoint to the attention of the public and comedy to the early music scene. Singer and storyteller Ásta S. Arnardóttir brings the storyline to the public with personal immediacy, and through her character work defines the different veins of the show, sometimes hilarious and sometimes serious. 

The story is narrated by the character of the Inspector, acted out by the members of the MFW, and told in rhyming Icelandic verse in one musical pillar of the show, a madrigal composed by our very own 

Halldór in the style of Monteverdi. The show has an entertaining educational dimension. The audience is exposed to a broad sweep of historical and musical information in a condensed form, necessary to understand the musical humour, while dramatic rhythm and scenographic effects prevent overwhelm. We also place particular emphasis on theatrical illusion and synchronisation. One example appears in the opening scene, in which the inspector is seen watching television. On stage, this becomes a complex exercise in coordination: each time the inspector presses a button on the remote control, the musicians instantly switch pieces, creating the impression of rapidly changing television channels. 

This opening scene establishes the tone of the entire show, comical and satirical in its storytelling and diverse in its musical language. It not only introduces the wide range of musical styles that appear throughout the performance, but also functions as the plot’s inciting incident, as the inspector hears a news report about the discovery of a previously unknown concerto by Vivaldi. 

Another important scene takes place when one forger is alone on stage in low light, perusing books on medieval music, while the musicians perform and sing offstage, sounding his audiation as he reads. This intimate moment evokes the sleepless nights spent studying facsimiles and learning historical compositional techniques, by which the forger acquires the inspiration and the expertise necessary to his art, and reveals a hidden side of musical performance: the immense amount of study and preparation that precedes the moment on stage. This setting also creates space for visual and musical comedy, as seen in the trailer video, where a 14th-century melody is played backwards because Halldór is unknowingly reading the facsimile upside-down, only realising the mistake when the music begins to sound absurd. 

Fun and friendship are at the heart of the whole project, though the link between music and crime is an important historical consideration. Classical music was often used as the demonstration of a monarch’s power, music teaching as a cover up for secret affairs, and pieces were published under another’s name for profit. Such examples of “inappropriate practices” carry an exciting and attractive element for the audience which the MFW seeks to exploit. Under this light-hearted surface lies a more serious layer of questions concerning our present-day existence, such as excessive materialism in high society and the threat posed on human craftsmanship and skill by the rise of artificial intelligence. 

Please Note:

The main applicant and creative/intellectual driver of the project must be 30 or under (on May 15th).

The average age of all musicians must not be older than 32, and the maximum age of supporting musicians must be no more than 35 (on May 15th.)