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Home  >  Early Music Vancouver Events  >  A Woman’s Voice in Bach’s World: Christiane Mariane von Ziegler

A Woman’s Voice in Bach’s World: Christiane Mariane von Ziegler

Saturday, August 5, 2023 | 7.30 p.m.Christ Church Cathedral


NOTE: Tickets go on sale Monday, April 3 at noon.

Artists: Krisztina Szabó, mezzo-soprano; Philippe Gagné, tenor; Sumner Thompson, baritone, with the Pacific Baroque Orchestra directed by Alexander Weimann

Christiane Mariane von Ziegler, Leipzig’s Poet Laureate (1733), vigorously defended women’s rights to improved education and literary enterprise. She was one of J.S. Bach’s esteemed librettists ( setting texts to nine cantatas) and a rare woman’s voice in the Lutheran liturgy. This programme celebrates the two Leipzig artists’ short but fruitful creative partnership.

This concert is generously supported by The Graham and Gayle Cooke Foundation, Elaine Adair, & Elaine Stevens

Krisztina Szabó, mezzo-soprano

Hungarian-Canadian mezzo-soprano Krisztina Szabó is highly sought after in North America and Europe as an artist of supreme musicianship and stagecraft. She is known for her promotion and performance of contemporary Canadian works. Among her many laudatory reviews, Opera Canada declared her to be an “exceptional talent” after her performance of the title role of Dido in Purcell’s Dido and Aeneas. After a performance with Tapestry Opera, the music blog, Schmopera wrote that “her instrument is one-of-a-kind and she has cemented herself as a darling of Canadian experimental music and opera…her sensibility and sensitivity to the material is truly inspiring”.  In her hometown of Toronto, she has been nominated twice for a Dora Award for Outstanding Female Performance. Krisztina has recently been appointed Assistant Professor of Voice and Opera at the University of British Columbia School of Music.

Philippe Gagné, tenor

A specialist in the baroque repertoire, Philippe Gagné has performed at many of the world's great venues and with many renowned ensembles including: Les Talens Lyriques, Tafelmusik, Les Violons du Roy, Arion Orchestre Baroque, Ensemble Masques, L’Orchestre symphonique de Québec, Les Délices, and L’Harmonie des saisons. Philippe is a highly recognized interpreter of the French Baroque repertoire, as well as of the music of J. S. Bach. This past February he travelled to France at the invitation of the Ensemble Masques to participate in the Festival La Folle Journée de Nantes to perform a selection of French baroque opera arias. He then made two appearances as part of the Complete J.S. Bach cantatas - Year 8 in Bourgie Hall of the Montreal Museum of Fine Arts; first with the Harmonie des Saisons at the end of February, then at the end of March with the Orchestre Métropolitain under the direction of Yannick Nézet-Séguin.

Sumner Thompson, baritone

Praised for his “elegant style” (The Boston Globe), Sumner Thompson is one of today’s most sought-after baritones. He has performed across North America and Europe as a soloist with renowned ensembles such as Concerto Palatino, Tafelmusik, Apollo’s Fire, Les Boréades de Montréal, Les Voix Baroques, the King’s Noyse, Mercury Baroque, and the symphony orchestras of Charlotte, Memphis, and Phoenix. Recent highlights include Monteverdi’s Vespers of 1610 and the new Vespers of 1640 with the Green Mountain Project; Buxtehude’s Membra Jesu Nostri with Les Voix Baroques and Houston’s Mercury Baroque; Mozart’s Requiem at St. Thomas Church in New York City; a tour of Japan with Joshua Rifkin and the Cambridge Concentus; and Britten’s War Requiem with the New England Philharmonic. He most recently appeared with EMV last year in From War to Peace: Heinrich Schurz and His Time (November) and Festive Cantatas: JS Bach Magnificat (December).

Pacific Baroque Orchestra

The ‘house band’ of Early Music Vancouver, The Pacific Baroque Orchestra (PBO) is recognized as one of Canada’s most exciting and innovative ensembles performing “early music for modern ears.” Formed in 1990, the orchestra quickly established itself as a force in Vancouver’s burgeoning music scene with the ongoing support of Early Music Vancouver.  In 2009, PBO welcomed Alexander Weimann as Director. His imaginative programming, creativity and engaging musicianship have carved out a unique and vital place in the cultural landscape of Vancouver.

PBO regularly joins forces with internationally-celebrated Canadian guest artists, providing performance opportunities for Canadian musicians while exposing West Coast audiences to a spectacular variety of talent. The Orchestra has also toured throughout BC, the northern United States, and across Canada. Their 2019 East Coast Canadian tour with Canadian soprano Karina Gauvin culminated in a critically acclaimed album, Nuit Blanches, released by Atma Classique. 

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Alexander Weimann, music director

Alexander Weimann is one of the most sought-after ensemble directors, soloists, and chamber music partners of his generation. After travelling the world with ensembles such as Tragicomedia, Cantus Cölln, the Freiburger Barockorchester, Gesualdo Consort and Tafelmusik, he now focuses on his activities as Music Director of the Pacific Baroque Orchestra in Vancouver, Music Director of the Seattle Baroque Orchestra, and regular guest conductor of ensembles including the Victoria Symphony, Symphony Nova Scotia, Arion Baroque Orchestra in Montreal and the Portland Baroque Orchestra.

Alex was born in Munich, where he studied the organ, church music, musicology (with a summa con laude thesis on Bach’s secco recitatives), theatre, mediæval Latin, and jazz piano, supported by a variety of federal scholarships. From 1990 to 1995, he taught music theory, improvisation, and Jazz at the Munich Musikhochschule. Since 1998, he has been giving master classes in harpsichord and historical performance practice at institutions such as Lunds University in Malmö, the Bremen Musikhochschule, the University of California (Berkeley), Dartmouth College (New Hampshire), McGill University, Université de Montréal, and Mount Allison (New Brunswick). He now teaches at the University of British Columbia and directs the Baroque Orchestra Mentorship Programme there. He has received several JUNO and GRAMMY Award nominations – most recently, for the album Nuit Blanches with the Pacific Baroque Orchestra and Karina Gauvin.

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