Friday August 2, 2019 | 1:00PM (Pre-concert talk at 12:15PM)
Christ Church Cathedral | Map
In April 1782, young Mozart wrote to his father Leopold: ‘Every Sunday at 12 o’clock I go to the Baron van Swieten’s, where nothing is played but Bach and Handel. I am currently making myself a collection of Bach fugues…’. In the Baron’s library, Mozart discovered a treasure trove of music by these two already-forgotten composers. Commissioned by the Baron to make arrangements for strings of Bach’s music for his Sunday matinees, Mozart in some cases added his own preludes. Mozart’s Eb Major Divertimento, written shortly after his final three symphonies, belies its title: it is hardly an ‘entertainment’, but a substantial and complex six-movement composition that was described by Mozart biographer Alfred Einstein as “one of his noblest works.”
“Marc Destrubé is an outstanding soloist… of remarkable virtuosity.” – The Georgia Straight
This concert is generously supported by Marlene Rausch and Tom Phinney
Wolfgang Amadeus Mozart
Divertimento for violin, viola & cello in E flat major, K. 563
Menuetto: Allegretto – Trio
Menuetto: Allegretto – Trio I – Trio II (34:18)
Marc Destrubé, violin
Canadian violinist Marc Destrubé is equally at home as a soloist, chamber musician, concertmaster or director/conductor of orchestras and divides his time between performances of standard repertoire on modern instruments and performing baroque and classical music on period instruments.
As a concertmaster, he has played under Sir Simon Rattle, Kent Nagano, Helmuth Rilling, Christopher Hogwood, Philippe Herreweghe, Gustav Leonhardt and Frans Brüggen. He is co-concertmaster of the Orchestra of the 18th Century with which he has toured the major concert halls and festivals of the world. He was concertmaster of the CBC Radio Orchestra from 1996 to 2002, concertmaster of the Oregon Bach Festival Orchestra, and founding director of the Pacific Baroque Orchestra.
He is first violinist with the Axelrod String Quartet, quartet-in-residence at the Smithsonian Institution in Washington D.C., where the quartet plays on the museum’s exceptional collection of Stradivari and Amati instruments. He has also performed and recorded with L’Archibudelli and is a member of the Turning Point and la Modestine ensembles and Microcosmos string quartet in Vancouver.
He has appeared as soloist and guest director with symphony orchestras in Victoria, Windsor, Edmonton and Halifax as well as with the Australian Brandenburg Orchestra, Portland Baroque Orchestra and Lyra Baroque Orchestra. A founding member of Tafelmusik Baroque Orchestra, he has appeared with many of the leading period-instrument orchestras in North America and Europe including as guest concertmaster of the Academy of Ancient Music and of the Hanover Band.
Marc has recorded for Sony, EMI, Teldec, Channel Classics, Hänssler, Globe and CBC Records.
Tanya Tomkins, cello
Artistic Director and Co-Founder of the Valley of the Moon Music Festival, cellist Tanya Tomkins is equally at home on Baroque and modern instruments. She has performed on many chamber music series to critical acclaim, including the Frick Collection, “Great Performances” at Lincoln Center, the 92nd Street Y, San Francisco Performances, and the Concertgebouw Kleine Zaal.
She is renowned in particular for her interpretation of the Bach Cello Suites, having recorded them for the Avie label and performed them many times at venues such as New York’s Le Poisson Rouge, Seattle Early Music Guild, Vancouver Early Music Society, and The Library of Congress.
Tanya is one of the principal cellists in San Francisco’s Philharmonia Baroque Orchestra and Portland Baroque Orchestra. She is also a member of several groups including Voices of Musicand the Benvenue Fortepiano Trio (with Monica Huggett and Eric Zivian). On modern cello, she is a long-time participant at the Moab Music Festival in Utah, Music in the Vineyards in Napa, and a member of the Left Coast Chamber Ensemble. As an educator, Tanya has given master classes at Yale, Juilliard, and the San Francisco Conservatory of Music, and is devoted to mentoring the next generation of chamber musicians through the Apprenticeship Program at the Valley of the Moon Music Festival
Joanna Hood, viola
Violist, Joanna is an avid chamber music player both in modern and period styles, and has a passion for the music of our time. She is a member of the Lafayette String Quartet, formed in 1986 and based in Victoria BC. She is a founding member of the Historically informed performance groups, The Loma Mar Quartet, founded in 1997 and the DNA Quintet formed in 2008, both based in New York. With these two group’s she recorded two CD’s of the newly discovered chamber works of Domenico Dragonetti. The first recording won the prestigious Classical Recording Foundation Award for 2009.
She is the principal violist with the Seattle Baroque Orchestra, and performs with the Pacific Baroque Orchestra and the Victoria Baroque Players, and has performed with Pacific Music Works, Oregon Bach Festival, and The Serenade Orchestra.
She is a founding member of the Victoria new music group, Ensemble Tsilumos, and is a co-organizer of the SALT New Music Festival and Symposium in Victoria BC.
Hood studied at the San Francisco Conservatory with Isadore Tinkleman, and at Indiana University, where she was an Associate Instructor, with Abraham Skernick and baroque violinist Stanley Ritchie.
Joanna is an Artist-in-Residence with the Lafayette Quartet at the University of Victoria where she teaches viola and chamber music. She plays on a viola labeled Johan Samuel Fritsche, dated Leipzig, 1805, and a viola by Edmond Aireton, 1754.
Joanna has recorded for the EMI, Tzadik, Dorian, CBC, Adlar, and Vervue labels.